And to make things worse, Lit lecture today was not about mutilated body parts belonging to Elle and Lui, but also a projection of my mutilated self a few months from now. Oh how apt. I was so inspired to take Lit as a major and such a passionate, fresh, hopeful student gearing up to read, listen, analyse, paint, sing, sketch and photograph. And learning about film making, directing, dissecting scenes and characters, and the wonders of the camera. Yes, I can still do that (if the department takes me) but I'd have to endure hours of words and breath into a microphone I'd gladly stay 10 metres away. Why must TRoy breathe into the mike when she speaks? And sound so darn sophisticated like she's some snobbish French aristocrat puffing away on a cigar, dragging her ugly poodle around the hotshot boutiques selling fur and feathers? Ghastly combination but that's how exactly I'd have drawn how she looks like if I were to only hear her breaths. It sounds like she's sighing most of the time. Thank God her voice is pretty melodious; if she has this moany voice I'd bolt out of the door faster than if they start playing rihanna's umbrella.
What is that song supposed to mean anyway?
under my umbrella ella ella ella eh eh eh
the representation of how one closes the umbrella? like how it gets smaller and everything.
and i don't understand why singers like to assume another persona in a new album. WHY? does that mean if they dont, nobody will buy their album? oh like how we consumers are so retarded as to buy an album cos, oh because madonna is acting like china and marigold from the bluest eye in her new album! fishnet stockings and giant bosoms and cloth.
if jason mraz were to ever prance around in a cowboy or astronaut suit, i'll run away to iceland.
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